Grand
Hampton Mansion Enriched
By Details of Ordinary LifeBy
KELLY CRAMER
Capital News Service
May 1, 1998
TOWSON, Md. - Looking up a sloping,
green hill from the edge of the road, the
pale-pink stucco Hampton Mansion inspires
awe.
It is a grand and romantic Georgian
work of art, the perfectly symmetrical
crown jewel of what used to be a self-
sufficient city of sorts. At one time, it
was 25,000 acres of agriculture, industry
and trade.
Today, with the hum of Beltway traffic
interrupting the stillness of its quiet
pastoral setting, it is a 60-acre shadow
of its former self. Yet the Hampton
Estate is still humbling.
At the bottom of the hill, however,
life was not so idyllic.
The two slave quarters that are still
standing are wood-and- stone duplexes
that housed one family on each side.
There is one room with a fireplace and a
window on the first floor of each home.
Black burn marks from candles cover the
walls.
A rickety makeshift ladder cuts
through a square hole in the ceiling to
go upstairs, where swarms of bees have
taken over. Even on a cool spring day,
the former slave quarters are humid and
hot. There is very little light and there
are no porches.
"There was a real contrast
between the people looking up at the hill
at the big house and the Ridgelys living
in the big house," said curator
Lynne Hastings.
But Hastings said it is the squalor of
the slave quarters, combined with the
grandeur of the big house, that combine
to make Hampton Mansion a historical
treasure trove.
"Rather than just one big fancy
house, it is a cohesive unit of original
buildings and archives that tell this
great story. It's an overview of 200
years of American history," she
said.
That history begins in 1745, when Col.
Charles Ridgely bought 1,500 acres of
land known as Northhampton.
The property had all the ingredients
for iron-making. During the Revolutionary
War, Ridgely, who sympathized with the
patriots, made cannons, cannon balls and
other goods for the rebellious colonists.
In 1783, Ridgely began building his
mansion atop a hill overlooking the
property. He lived there only a short
time before his death in 1790, by which
time his holdings had expanded to 12,000
acres.
Because the Ridgelys were childless,
the mansion passed to a nephew on the
condition that he take Ridgely as his
last name.
Not only did Charles Carnan Ridgely
take his uncle's name and lands, he
apparently inherited his aptitude for
business, eventually increasing the size
of Hampton to 25,000 acres. The
"Second Master" Ridgely was
also successful in politics, becoming
Maryland's governor in 1815.
Kent Lancaster, a retired Goucher
College history professor, said the
governor built the family's wealth and
the following generations "enjoyed
spending it."
The family made its fortune on
agriculture, ironworks, quarries, horse
breeding, real estate, shipping, mills
and commerce. And under the governor,
Hampton was at its busiest.
"It wasn't at all like a very
quiet house on a hill like what people
come to see now," said Hastings.
"There were mills, quarries,
orchards, animals, chickens, sheep, craft
shops, carpenters, weavers, cobblers;
people could get all sorts of stuff
here," she said. "Everything
came from the estate itself."
It was more than a plantation in its
19th-century heyday, when it was the
largest house in Maryland.
"We usually don't call it a
plantation," said Jenny Masur, a
National Park Service ranger at Hampton.
Plantation implies one crop, she said.
And the Hampton estate was more than
that.
While Lancaster said later generations
spent freely, he also said they never
threw anything away and kept meticulous
records - - down to the pennies spent on
hair ribbon and the shoe sizes of some
slaves.
It is those records that have provided
such a rich history of the family and the
estate.
In addition to its extensive records,
the family left more than 45,000 objects,
like furniture, toys and artwork and
5,000 photographs. Hastings is using
those photographs to reconstruct exhibit
rooms instead of relying on guesswork.
When one of the children noted in a
diary that she liked to have tea with her
dolls every day, it led caretakers to
furnish a nursery with dolls around a
small table for tea.
A parlor in the 33-room home is
cluttered today with family memorabilia
and a music room holds instruments the
Ridgelys played. Artwork covers the walls
and elaborate painted Baltimore chairs
and sofas decorate the drawing room.
Gilded window boxes with the Ridgely
crest hang in the drawing room and an
original chandelier, now wired for
electric lights, hangs in the sitting
room.
Family furniture fills the master
bedroom, where three generations of
Ridgelys carved their initials on a
cracked window pane on their wedding
nights.
Later generations of Ridgelys
struggled to keep the property and the
aristocratic lifestyle that went with it,
which became particularly difficult after
emancipation.
The family turned to other crops, ran
a dairy operation for nearby schools and
eventually began selling off land for new
neighborhoods.
The family sold the mansion in 1947 to
the Avalon Foundation, a Mellon family
trust, that presented it to the
Department of the Interior. The next
year, Hampton was designated a historic
site and opened to the public in 1949.
The last Master Ridgely -- Sixth
Master John Ridgely Jr. -- lived until
his death in a farmhouse on the property
after the mansion was sold. When his
second wife, Jane Rodney Ridgely, died in
1978, the rest of the property was turned
over to the National Park Service.
The park service now controls the
estate, which is open daily to the
public, but work continues on the
impressive property.
The farmhouse is getting an interior
face-lift and other rooms in the mansion,
not yet open to the public, are slated to
be renovated as money becomes available.
Both the cupola and the mansion have
new roofs in their original style. The
state has approved funding to restore the
dining room, while volunteers work every
day on smaller projects like painting
fences and weeding the gardens.
"Hampton has so much to offer
statewide," said Hastings.
"It's over 200 years of one family's
rise and fall."
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